I wrote about WNO's "Lost in the Stars" production for Parterre:
Kurt Weill and Maxwell Anderson’s 1949 musicalization of Alan Paton’s Cry, the Beloved Country
has found a tentative home on the opera stage, attractive to companies
eager to fill their musical slot(s) for its highbrow pedigree, star
vehicle potential, and relevant political content. Washington National
Opera is the latest to try their hand at Lost in the Stars, but
despite a strong cast and sympathetic direction, this latest
incarnation isn’t able to overcome the flaws of this intriguing but
problematic work.
Read the whole thing here...
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