Kurt Weill and Maxwell Anderson’s 1949 musicalization of Alan Paton’s Cry, the Beloved Country has found a tentative home on the opera stage, attractive to companies eager to fill their musical slot(s) for its highbrow pedigree, star vehicle potential, and relevant political content. Washington National Opera is the latest to try their hand at Lost in the Stars, but despite a strong cast and sympathetic direction, this latest incarnation isn’t able to overcome the flaws of this intriguing but problematic work.Read the whole thing here...
Tuesday, February 16, 2016
"Lost in the Stars" at WNO
I wrote about WNO's "Lost in the Stars" production for Parterre: